Great fact that people between the poverty of his deep, without eating and not clad, between vintag

Among the many prophecies made more grim in the world today and revisionist bourgeois ruling classes of the fortune-tellers, a part belonging to literature and the arts. Does it still exist literature and arts in the future? This question, sometimes directly, sometimes indirectly, wallow in all their propaganda. Its responsibility consists of a range of assumptions as fatalistic as absurd: expected death of the novel, the death of poetry, literature and the death of all the arts in general. What is the cause of this "De Profundis" Herald of the bourgeoisie that repeat vintage kitchen over and over again for a long time? The answer is simple: as a part of the prophecy and this is nothing vintage kitchen but an old desire of the ruling classes, inherited from generation to generation along with their thirst vintage kitchen for power and exploitation.
It is known that since ancient times, large bureaucratic structures militaristic, aggressive ie large states such as; Roman Empire, supported by official literature have often fallen into open conflict with progressive literature and art. This was natural, because this art in general can not be reconciled with the aggressive spirit, the desire for hegemony and domination of the world which was all propaganda promoter of these states. The same is happening today with the superpowers of our time. United States and the Soviet Union. Literatures and arts of these countries have long before an alternative; or completely distorted by anti-popular interests of these regimes, or disappear. So the prophecies to their deaths vintage kitchen ultimately, are no more than indirect threats were made literature and art if, they do not fully konformohen aggressive hegemonic goals of these superpowers.
Regarding people who fight for freedom and independence, history has shown and continues to show it to literature and the arts they have always found a certain support in the fight and their aspirations. The history of our country strongly reaffirms this special. Comrade Enver said that "our nation has not ever share dyfekun with lace, from the book, from the pen sword, bravery and wisdom ..." And this is a great truth. Our people who were always at the center of national Skanderbeg his memory, has not ever issued in its periphery Naimi. Our nation has had more time stands alone against the risk of disappearing from the face of the earth. But neither aggression, that deaths, nor hunger, nor showers of history vintage kitchen there has never lost the beauty of the word, engrave the title. Rather, vintage kitchen the hard luck has perfected those things in virtuosity. Gorgeous Ç'art must be one for which people need in good days and bad. Ç'provë great literature and the arts is this love of the people in the key moments of history and how ridiculous they look pozamëdhenjë aesthetes who endless sophistry in their cabinets stutter whether or not there should be literature vintage kitchen and art.
Great fact that people between the poverty of his deep, without eating and not clad, between vintage kitchen Hall, the second of the country's mountains, always loved art, showing vintage kitchen that he had deep reasons for this. People always has great reason to do a thing. Major reason for lovers, great reasons to hate. He loved Albanian poetry, literature and other arts because they have been linked to its fate. This connection with the fate of the people and the nation is the main feature and most important of undead fun games and our arts. All other values of this art will be destroyed centuries saw its core value. This link has been greater chance of this literature, as would be the greatest misfortune of her separation from the people. Our literature of socialist realism inherited vintage kitchen as the most expensive treasure this connection, enriching raised to a higher level it with ideas of revolution and communism. Partishmëria our proletarian vintage kitchen literature of socialist realism is the highest expression of its full connectivity, as never before, with the fate of the people.
In the thirty vintage kitchen years of her age, our new literature of socialist realism has known great success and joy. The put unreservedly at the service of the revolution, the communist and national simultaneously, it has washed once and for all accounts with mildew century feudal art - bourgeois, with mysticism, irealimzin, vintage kitchen sentimentality, bulevardizmin, illusory stories of poor girls with 'blue princes', in a word all fabrications cuisines vintage kitchen of the world centuries old. It has continued to make a very successful vintage kitchen war when these thrills, having driven from the door, tried to enter through the window dressed in modern. The task of preserving the purity of our art is as hard as